Tone « Screenwriter-to-Screenwriter.com

The Seed of Your Story

I personally think in many cases the difference between a script I love and a script I’ll pass on is the emotional density of the project. When reading, do I feel deeply for the characters – does their journey make me feel? Do I laugh and cry with them or for them? Do I want [...]

Okay, Fine… But What’s Your Story About, Really?

Anyone who knows me well can probably tell you that sometimes I can be wholly oblivious to the most obvious points but pick up on subtleties the average person wouldn’t even think to look for. This is an interesting character juxtaposition and probably what makes me a writer before anything else. Documenting and chronicling the [...]

Screenwriters Are Storytellers First

A professional screenwriter said to me recently, “If someone reads my script and says, ‘Man, I really loved the writing,’ I want to punch them in the face. What I want them to say is, ‘I really loved your story.’ There’s a big difference.” He explained that the difference is that we’re primarily storytellers – [...]

The Season of Weird, Chatty Dramedies

I can’t say I totally understand it but this year was definitely the reading season for the Weird, Chatty Dramedy.

I’d estimate that approximately 20% of the scripts I read this year involved an ensemble of types sitting around, chatting about various personal issues that were of absolutely no interest to me.

Many of these [...]

Don’t Forget Film is a Visual Medium

The visual medium is the essence of “show, don’t tell.” A lot of scripts I’m seeing this year seem to have disregarded the fact that these stories should be a blueprint for something visual.

This reading season has been the season of the chatty dramedy. By dramedy, I mean stories that at their essence [...]

Biopic: A Character’s Journey

I’ve been reading a number of biopics based on very famous historical personages. They are flat and dry, like cardboard. The feeling I have reading them is that they take a marionette of a historical figure and dance them through the major events of their life. I start off with little or no understanding of [...]

Descriptors: Be Precise

Don’t forget when you’re writing to use precise descriptors that evoke something very clear in the mind of the reader. Even in screenwriting, the quality of prose to some degree either engages or repels the reader and thus the experience of your screenplay.

Try to avoid descriptors that are ambiguous, contradictory or confusing, because the [...]

Writing and Rights

I know there can be some confusion about adapting work for the screen and owning the rights.

If you are absolutely in love with a novel, cartoon, graphic novel (or ANY work that is not your own) and feel that it is your life’s destiny to adapt this work for the screen, then GET THE RIGHTS [...]

What is “High Concept”?

“High concept” is an expression within the entertainment industry that basically boils down to meaning ‘highly commercial.’

But what does it really mean? “High concept” indicates a few things:

1. A universal concept, whereupon every person hearing the idea will have a specific common point of reference. Successful universal concepts can be based on tropes, urban [...]

Political Thrillers & Sci-Fi: Track the World

It is a common mistake for political thrillers and sci-fi screenplays to dump too many characters in the openings. This gets very confusing quickly.

As a reader, I always feel the strongest choice is to introduce the protagonist alone, so that he/she stands out and is clearly identified in the mind of the reader.

Once [...]

How To Title Your Script

Coming up with an amazing title is important. Why?

As a script reader, if I smile when I read your title, that’s a huge bonus – because it means I will be excited to read your script. Conversely, if the title evokes nothing, that’s bad. I don’t know what that script is about and I’ll [...]

The Script Reader’s Top 10 Screenplay “Dos”

The following is a very basic list of items that get my attention as a script reader. If your script addresses each of these points, you’re probably doing a good job. I will be excited to read your script.

So, here we go, a list of my top 10 screenplay “dos” when reading:

DO keep your page [...]

The Script Reader’s Top 5 Screenplay “Do Nots”

The following is a very basic list of items that do not impress me as a script reader and, more often than not, will get your script a resounding pass. If your script contains any of these points, consider rewriting before sending out.

So, here we go, a list of my top 5 screenplay peeves when [...]

Example of How To Introduce Your Protagonist (Erin Brockovich)

One of my favorite scripts is “Erin Brockovich,” because I love the writing. It is abundantly clear, sparsely written, and dense with meaning. This script captures worlds of information with just a few simple, extremely well chosen words. To my mind, that is excellence in screenwriting.

Please read this excerpt of the opening of [...]

Introduce Your Character to the Reader

Now that we’re heading back into competition season for 2010, I am going to revisit the most important aspects of the screenplay, and in some cases I will try to link to examples of how they’re done correctly.

I just read a pile of scripts and only one of the writers bothered to introduce me to [...]

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