Last-minute reminder to download all the Oscar screenplays before the Academy Awards — they’ll be taken down soon. Happy reading!
Click here to read Part 1 and Part 2 of this post. Let’s more carefully investigate exactly why John Carter didn’t work. What are the lessons learned from this? Analysis: Flashback and Voice Over Not to overstate the obvious, but within the opening minutes of this $600mm trainwreck, there are two separate instances of voice […]
Click here to read Part 1 of this post. Click here to read more about screenwriting beats. What went so wrong with John Carter? Well, let’s look at the beats. Here’s a basic breakdown of the beats of Act 1. 1. Open on Mars with the space wars going on. Fast and furious voice over […]
If you are unsure what screenwriting beats are or need a quick refresher, please read my article on beats first. Now… The film John Carter was a very expensive, massive bomb in the spring of 2012, almost five years ago now. (Reading online that it was estimated this film would have needed to gross $600mm […]
A professional screenwriter said to me recently, “If someone reads my script and says, ‘Man, I really loved the writing,’ I want to punch them in the face. What I want them to say is, ‘I really loved your story.’ There’s a big difference.” He explained that the difference is that we’re primarily storytellers – […]
I am not a huge consumer of women’s romantic fiction because I like a good story – and so I can’t speak intimately to the ins and outs of the genre. It would appear superficially that this genre is formulaic in the extreme so that the story is something secondary (contrived) and the primary focus […]
Is it a good choice to adapt a project as an unproduced writer – or should you concentrate more of your energies on writing your own original screenplays? I actually discourage new writers (i.e., unestablished, without credits) from writing any screenplay to which they don’t own the rights. The problem with then adapting something as […]