I’ve been reading a number of biopics based on very famous historical personages. They are flat and dry, like cardboard. The feeling I have reading them is that they take a marionette of a historical figure and dance them through the major events of their life. I start off with little or no understanding of […]
Archive | March, 2010
An individual posted a question to one of the screenwriting forums on LinkedIn about the western genre and whether it’s worth his time to finish his western script and start querying. My thought was yes. The western genre appears to be back – but it isn’t strictly John Wayne anymore. The western has evolved into […]
Author and screenwriter Joe Bright is interviewed about his new book, The Black Garden. Congratulations, Joe!
Writer’s block is the devil. To my mind, it’s like being trapped inside a Sartre play: locked inside a room with no windows and no way out. I’ve been blocked lately – and it’s actually not a normal state for me. In fact, this might be the first true writer’s block I’ve experienced in the […]
Don’t forget when you’re writing to use precise descriptors that evoke something very clear in the mind of the reader. Even in screenwriting, the quality of prose to some degree either engages or repels the reader and thus the experience of your screenplay. Try to avoid descriptors that are ambiguous, contradictory or confusing, because the […]
The winner of my Story Notes Giveaway to Oscar Picks competition is Eugene Scala. Congratulations to Eugene! Thanks to everyone who entered.
Okay, folks, so here we go – Screenwriter-to-Screenwriter.com has officially had a facelift! Yes, I’m now on Twitter and have a FaceBook page, so check them out. If you’re looking for a fantastic Web designer, contact Melissa White at WhitespaceCreative.com. Keep sending your questions and posting comments. Thanks for reading!
I know there can be some confusion about adapting work for the screen and owning the rights. If you are absolutely in love with a novel, cartoon, graphic novel (or ANY work that is not your own) and feel that it is your life’s destiny to adapt this work for the screen, then GET THE […]
“High concept” is an expression within the entertainment industry that basically boils down to meaning ‘highly commercial.’ But what does it really mean? “High concept” indicates a few things: 1. A universal concept, whereupon every person hearing the idea will have a specific common point of reference. Successful universal concepts can be based on tropes, […]
It is a common mistake for political thrillers and sci-fi screenplays to dump too many characters in the openings. This gets very confusing quickly. As a reader, I always feel the strongest choice is to introduce the protagonist alone, so that he/she stands out and is clearly identified in the mind of the reader. Once […]