The more I write and the more I read, I find I return to this mantra again and again: If it doesn’t buy you something, take it out. Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the […]
Tag Archives | opening your script
Screenplay Openings: Most Beginnings Are Overwritten
By Monica on July 28, 2009 in Beat Sheet, Character, Formatting, Genre, Location, Logical World, Process, Screenwriting Competitions, Story, Subject Matter, Theme, Tone, Uncategorized
This article follows up on Screenplay: The Importance of the First Five Pages. In the last batch of scripts I read for one of the screenwriting competitions, I would say about 30% of the screenplays had beginnings that were overwritten. It’s not uncommon. In several cases, the real story didn’t start to pick up until […]
Q&A: Simple Present vs. Present Progressive (“-ing”) Verb Tense
Michael asks: Is it ever okay to use the “ing” present tense to describe action? “The Complete Screenwriters Manual” says no, but I don’t buy it. Monica says: Thanks, Michael. Great question. Here’s the deal with what I refer to as active verbs vs. passive verbs and screenwriting. The standard for screenwriting is to use […]
Screenplay: The Importance of the First Five Pages
By Monica on July 20, 2009 in Beat Sheet, Character, Formatting, Genre, Location, Logical World, Process, Screenwriting Competitions, Story, Subject Matter, Theme, Tone, Uncategorized
The opening five pages of your screenplay give me a ton of information about the breadth and scope of your project. As with the opening of a novel or any other literary work, the opening of your screenplay should be a microcosm of the world of your script. It’s the first taste – but as […]