Theme « Screenwriter-to-Screenwriter.com

Why Shutter Island Didn’t Work: Audience Expectation

Okay, okay, so it was based on a book. Let’s forget that and look at why this project didn’t work as a film.

There’s an adage about screenwriting that you shouldn’t write movies about a dream within a dream within a dream and then *ta da!* oops, you only imagined what you saw this whole [...]

Pixar: Writing Complete Stories

An interesting article on how Pixar focuses on writing complete stories from Story Fanatic.

Positioning Yourself as a Writer:<br>Choosing Genre

It’s probably worth your time to think about how you want to get sold as a writer. If you have material worth selling, at some point someone is going to discover this, and they’ll try to package you and sell you as a certain kind of writer.

What kind of writer do you want to [...]

Be Careful When Mixing Genre: Jennifer’s Body

I’m sitting here watching Jennifer’s Body, which is a movie I should love. I think the concept is amazing – a girl who gets taken advantage of by men only to turn the tables and start fucking over men. It should be edgy, fucking hilarious, scary as shit and I was expecting this movie to [...]

Who Are You Writing For?

I was Skyping with a writer friend the other night who had sent me a list of about 10 loglines and was wanting to brainstorm which project to write next. He later sent me an email indicating he’d chosen to write a horror movie starring a young boy character and, in essence, a CGI character. [...]

Inside Out vs. Outside In

The great debate: character to story or concept to character. Face it: you’re either one or the other. If you think you’re both at the same time, I’d really love to hear from you and learn how you do it, because it seems to me there’s a huge canyon in between and I’m waiting for [...]

Subject Matter: Be Fresh

Let’s take a fresh look at writing “fresh” subject matter.

Subject matter is key, because there is a tremendous amount of material out there that doesn’t bring something that feels new or unique to the table. There is no fresh take on the material.

Hollywood doesn’t really want something totally new. This is for a couple [...]

Our Universal Theme

It’s said that every writer has a universal theme. We write about what we’re working on emotionally in our lives. It is our own personal fatal flaw, that one issue that we’re unable to move past. Likely the thing from our developmental years that torments us. Real or imagined, it doesn’t matter. It’s that thing [...]

You Don’t Need To Be on the Page

I was having a conversation this morning with another writer friend, and we had a little bit of a laugh (but not in a malicious way) about another writer who fancies himself a director and this is evident in his writing because he, meaning his personality, is everywhere on the page. When you read his [...]

Write What You Love

My friend had a rough writing day the other day. She had a moment of disappointment that she wasn’t writing projects that are more high-concept and commercial. I reminded her that we can only write what we love. That’s the best we can do. Sometimes we just have to write what we love just because [...]

If It Doesn’t Buy You Something, Take It Out

The more I write and the more I read, I find I return to this mantra again and again: If it doesn’t buy you something, take it out.

Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the [...]

Screenplay Openings:<br>Most Beginnings are Overwritten

This article follows up on Screenplay: The Importance of the First Five Pages.

In the last batch of scripts I read for one of the screenwriting competitions, I would say about 30% of the screenplays had beginnings that were overwritten. It’s not uncommon. In several cases, the real story didn’t start to pick up until [...]

Clarity Above All

There is no shame in being absolutely clear with your beats. In fact, I am that reader who is likely to not get something if it isn’t on the page. You should assume that if it’s not clear on the page, your reader is not going to get it. If you hint at something but [...]

Subject Matter: Don’t Write About Writers or Hollywood, Please

Today I’ve read a couple of stories about Hollywood aspirings – aspiring writers, directors, actors, etc. In this reading season I’ve probably read a number of these kinds of scripts. Please, people, no. Don’t do it. Ninety nine times out of one hundred, your life as an aspiring writer isn’t interesting enough to warrant a [...]

Screenplay: The Importance<br>of the First Five Pages

The opening five pages of your screenplay give me a ton of information about the breadth and scope of your project. As with the opening of a novel or any other literary work, the opening of your screenplay should be a microcosm of the world of your script. It’s the first taste – but as [...]

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