Archive | Theme

The Script Reader’s Top 10 Screenplay “Dos”

The following is a very basic list of items that get my attention as a script reader. If your script addresses each of these points, you’re probably doing a good job. I will be excited to read your script. So, here we go, a list of my top 10 screenplay “dos” when reading: DO keep […]

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The Script Reader’s Top 5 Screenplay “Do Nots”

The following is a very basic list of items that do not impress me as a script reader and, more often than not, will get your script a resounding pass. If your script contains any of these points, consider rewriting before sending out. So, here we go, a list of my top 5 screenplay peeves […]

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Example of How To Introduce Your Protagonist (Erin Brockovich)

One of my favorite scripts is “Erin Brockovich,” because I love the writing. It is abundantly clear, sparsely written, and dense with meaning. This script captures worlds of information with just a few simple, extremely well chosen words. To my mind, that is excellence in screenwriting. Please read this excerpt of the opening of the […]

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Introduce Your Character to the Reader

Now that we’re heading back into competition season for 2010, I am going to revisit the most important aspects of the screenplay, and in some cases I will try to link to examples of how they’re done correctly. I just read a pile of scripts and only one of the writers bothered to introduce me […]

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Subject Matter: Be Fresh

Let’s take a fresh look at writing “fresh” subject matter. Subject matter is key, because there is a tremendous amount of material out there that doesn’t bring something that feels new or unique to the table. There is no fresh take on the material. Hollywood doesn’t really want something totally new. This is for a […]

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Our Universal Theme

It’s said that every writer has a universal theme. We write about what we’re working on emotionally in our lives. It is our own personal fatal flaw, that one issue that we’re unable to move past. Likely the thing from our developmental years that torments us. Real or imagined, it doesn’t matter. It’s that thing […]

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If It Doesn’t Buy You Something, Take It Out

The more I write and the more I read, I find I return to this mantra again and again: If it doesn’t buy you something, take it out. Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the […]

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