The more I write and the more I read, I find I return to this mantra again and again: If it doesn’t buy you something, take it out. Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the […]
Archive | Process
Screenplay Openings: Most Beginnings Are Overwritten
This article follows up on Screenplay: The Importance of the First Five Pages. In the last batch of scripts I read for one of the screenwriting competitions, I would say about 30% of the screenplays had beginnings that were overwritten. It’s not uncommon. In several cases, the real story didn’t start to pick up until […]
Fighting for Your Craft
I’ve been back in LA this week. And from the minute I got here, all I’ve wanted to do was go back to Santa Fe. There’s a specific energy here in LA for me that’s a little bit like living beneath a veil. Everything is a little bit obscured. I chalk this phenomenon up to […]
Q&A: Simple Present vs. Present Progressive (“-ing”) Verb Tense
Michael asks: Is it ever okay to use the “ing” present tense to describe action? “The Complete Screenwriters Manual” says no, but I don’t buy it. Monica says: Thanks, Michael. Great question. Here’s the deal with what I refer to as active verbs vs. passive verbs and screenwriting. The standard for screenwriting is to use […]
Clarity Above All
There is no shame in being absolutely clear with your beats. In fact, I am that reader who is likely to not get something if it isn’t on the page. You should assume that if it’s not clear on the page, your reader is not going to get it. If you hint at something but […]
Subject Matter: Don’t Write About Writers or Hollywood, Please
Today I’ve read a couple of stories about Hollywood aspirings – aspiring writers, directors, actors, etc. In this reading season I’ve probably read a number of these kinds of scripts. Please, people, no. Don’t do it. Ninety nine times out of one hundred, your life as an aspiring writer isn’t interesting enough to warrant a […]
Screenplay: The Importance of the First Five Pages
The opening five pages of your screenplay give me a ton of information about the breadth and scope of your project. As with the opening of a novel or any other literary work, the opening of your screenplay should be a microcosm of the world of your script. It’s the first taste – but as […]
What Happened to the Inciting Incident?
You’d be surprised – I have been – but a very high number of scripts I’m reading don’t have inciting incidents. I am getting to page 15, page 20, page 30, and there’s really no defined story. I would say that this is in about 25% of the scripts I’m reading. Obviously, these scripts are […]
The Small Character Drama: Life or Death Stakes
I’m not someone who generally loves small indie movies that blow some minor human drama into a hysteria for the ages. I love real stories – stories with action, externalized drama, physical obstacles, where something transformative happens. To me, most small character dramas that I read don’t offer up enough dramatic stakes to warrant a […]
Look at It From the Reader’s Perspective…
I just got through another big push of scripts. There were a handful of recommends, but overall many of them were dismal. When writing, just get the words down on the page. Get through that first draft. But, then rewrite. Rewrite, rewrite, rewrite. As you get closer to the time you’re going to send your […]
The Thirty-Six Dramatic Situations
I attended a seminar years ago with Jeff Kitchen wherein he passed out a xeroxed sheet of the thirty-six dramatic situations as identified by Geroges Polti, culled from the original French-language book, which was written in the 19th century. I didn’t understand much else from his talk (it was a lot of fancy jargon to […]
How to Craft Theme
Once you decide what the overarching umbrella theme of your story is, then make sure that theme is abundantly clear within the A story and the protagonist’s character arc, but also present within the B stories and the other character arcs. I was told once to write out the theme on a post it and […]
Theme: Barri Evins and “Personal Thematic”
I attended a CineStory retreat last summer in Idyllwild where Barri Evins conducted a three day seminar on “personal thematic.” Barri is amazing, a true inspiration, and if you ever have the chance to work with her in any way, you must do so. The experience will be absolutely transformative. They say that writers have […]
Do Your Homework: Watch AFI’s Top 100 List Films
If you’re writing screenplays, it’s very important to know the field. You should be watching movies in the theatre now and also studying previously released films. Here is a wonderful basic list of the great movies, which you should see to have a basic understanding of our industry. In addition, you should endeavor to watch […]
Screenwriting Basics: The Importance of Tone
Tone is an excellent tool with which to underscore the genre of your screenplay. For me as a reader, both the genre and tone should be abundantly clear from page one. If it’s not abundantly clear by page two, you’re likely in trouble. I use “tone” to this end, as defined by Merriam-Webster.com: “general character, […]