The more I write and the more I read, I find I return to this mantra again and again: If it doesn\u2019t buy you something, take it out. <\/p>\n

Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the story. You\u2019re investing in the beginning of your story \u2013 in a way, buying up assets that will pay off later on. If you haven\u2019t invested in the right beats in the beginning, then you won\u2019t be getting any return on your investment later on. There is no pagecount in a screenplay for wasted beats. So, every beat is precious and has to specifically buy you something later on in the script. If you have a beat that you\u2019re not going to be cashing in later on a larger element, it\u2019s not buying you anything down the road. It\u2019s a lost opportunity. <\/p>\n

Screenwriting is about simplifying, streamlining, clarity. Any extra element that doesn\u2019t specifically enhance your story \u2013 or buy you something in the mind of the reader \u2013 shouldn\u2019t be there. Take it out. <\/p>\n

What do I mean by this? Write to the beats of the scene. Do not add in extra elements that do not serve a specific element within your screenplay. That will confuse the read. Localize every component of your script to serve the elements. <\/p>\n

That\u2019s why I say screenwriting is about streamlining. As a reader, I work on a need to know basis: if I don\u2019t need to know it, then don\u2019t put it in there, because it will clutter up the page and confuse me.<\/p>\n

Let\u2019s look at this concept as applied to characters and introductions. Many writers choose to dump characters. Don\u2019t introduce four characters at one time when one or two is enough to hit the beat. Don\u2019t introduce your protagonist in a lump sum of six characters when that will simply distract and confuse me. Your protagonist should be introduced alone and using an anecdote wherein I will get a clear understanding of who that individual is. Introducing your protagonist in a group of six people doesn\u2019t specifically buy you anything. <\/p>\n

Another example of this would be introducing a Southern character living in Detroit. This is not a natural pairing. Unless these two elements are absolutely essential to your story, then just make your protagonist a Southerner living in the South. <\/p>\n

One time I worked with a young writer on a sci-fi script and the writer was dead-set on opening the world with a 500 year-old space war. However, a 500 year-old ongoing war didn\u2019t buy him anything in terms of the inciting incident. That backstory only served to pose more questions in the mind of the reader than it answered \u2013 because then, what the writer was trying to sell was that all of a sudden, after 500 years, one team of space men would work toward peace. I wanted to know specifically what circumstance had created this particular team to incite peace within the galaxy after all these 500 years of war, but he couldn\u2019t answer that. He demanded that it didn\u2019t matter, but actually this was the basis for his whole story and it did matter. To my mind, the whole 500 year war premise just was confusing. The beat was that there was conflict and this team was going to restore peace to the galaxy. It was irrelevant for how long there had been war. It didn\u2019t buy the writer anything in the reader\u2019s mind, so I recommended he rework that element so that it helped the inciting incident instead of hindered it. <\/p>\n

In film school, Mike Ellis was one of our teachers, and he said that when he and Pam Falk wrote The Wedding Planner<\/em>, they wrote that about an Armenian woman and there was a ton of very detailed character information and backstory. He said that in drafts, almost all of it got taken out. Mike said not to waste our time on that level of detail because in a script, we don\u2019t really need it. But, the key elements remained where it was a critical story and character beat \u2013 the immigrant parents and Scrabble element, for example. <\/p>\n

I\u2019m actually a believer that it\u2019s better to have more nuance in there and then write it out later on in subsequent drafts. It\u2019s hard to get something on the page later on once it hasn\u2019t been written rather than just editing something out. <\/p>\n

That said, be thoughtful and considerate with how you spend your currency in terms of buying up beats in the beginning. Are you making the best possible investment with your page count? <\/p>\n","protected":false},"excerpt":{"rendered":"

The more I write and the more I read, I find I return to this mantra again and again: If it doesn\u2019t buy you something, take it out. Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[119,9,7,12,10,11,120,6,50,42,44,1],"tags":[29,37,118,27,40,5,21,28,55,25,33,41,3,4,38],"_links":{"self":[{"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/posts\/282"}],"collection":[{"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/comments?post=282"}],"version-history":[{"count":4,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/posts\/282\/revisions"}],"predecessor-version":[{"id":283,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/posts\/282\/revisions\/283"}],"wp:attachment":[{"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/media?parent=282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/categories?post=282"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/tags?post=282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}