<\/p>\n

 <\/p>\n

Monica Partridge holds her\u00a0master\u2019s degree in screenwriting from the American Film Institute.<\/p>\n

She has previously evaluated screenplays as a competition reader for both the Final Draft \u201cBig Break\u201d Screenwriting Competition and the CineStory Screenwriting Competition.<\/p>\n

Additionally, she has\u00a0provided screenplay coverage for both the Edward S. Feldman Company (Witness, The Truman Show, Green Card, K:19 The Widowmaker, The Hitcher<\/em>) and Mutual Film Company (Saving Private Ryan, Wonder Boys, Lara Croft: Tomb Raider, Snakes on a Plane<\/em>).<\/p>\n

Post AFI, she worked as assistant to screenwriter Dana Stevens<\/a> (Julie & Julia, The Deep Blue Goodbye, Life or Something Like It, For Love of the Game, City of Angels, Blink,<\/em> \u201cWhat About Brian\u201d for ABC\/Bad Robot).<\/p>\n

 <\/p>\n

Much of her early professional experience was\u00a0in journalism and corporate entertainment, with the KNBC-TV Los Angeles newsroom, NBC West Coast business development, the e-commerce division at Universal Music Group (eCAT, Global e), Open Radio (Moscow), The St. Petersburg Times (Russia) and The Vladivostok News (Russia).<\/p>\n

She was born and raised in Los Angeles, CA,\u00a0attended the Polytechnic School, and holds her bachelor\u2019s in Russian language and literature from Pitzer College in Claremont, CA.<\/p>\n

She provides a wide variety of script doctoring services and story rewrite notes on a consultancy\u00a0basis for writers, producers and directors.<\/p>\n

She’d\u00a0love to hear from you. Email your questions, comments, joys, frustrations at screenwritertoscreenwriter @ gmail.com.<\/strong><\/p>\n

You can find her\u00a0on Twitter @ http:\/\/twitter.com\/sw2sw
\n<\/a><\/p>\n

Thanks for reading — and good luck with the writing,<\/p>\n

Monica Partridge
\nwww.monicapartridge.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  Monica Partridge holds her\u00a0master\u2019s degree in screenwriting from the American Film Institute. She has previously evaluated screenplays as a competition reader for both the Final Draft \u201cBig Break\u201d Screenwriting Competition and the CineStory Screenwriting Competition. Additionally, she has\u00a0provided screenplay coverage for both the Edward S. Feldman Company (Witness, The Truman Show, Green Card, K:19 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/pages\/2"}],"collection":[{"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":18,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1088,"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/pages\/2\/revisions\/1088"}],"wp:attachment":[{"href":"http:\/\/www.screenwriter-to-screenwriter.com\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}