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Screenwriter-to-Screenwriter.com | Page 3

Descriptors: Be Precise

Don’t forget when you’re writing to use precise descriptors that evoke something very clear in the mind of the reader. Even in screenwriting, the quality of prose to some degree either engages or repels the reader and thus the experience of your screenplay. Try to avoid descriptors that are ambiguous, contradictory or confusing, because the […]

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Screenwriter-to-Screenwriter.com Gets a Facelift!

Okay, folks, so here we go – Screenwriter-to-Screenwriter.com has officially had a facelift! Yes, I’m now on Twitter and have a FaceBook page, so check them out. If you’re looking for a fantastic Web designer, contact Melissa White at WhitespaceCreative.com. Keep sending your questions and posting comments. Thanks for reading!

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What is “High Concept”?

“High concept” is an expression within the entertainment industry that basically boils down to meaning ‘highly commercial.’ But what does it really mean? “High concept” indicates a few things: 1. A universal concept, whereupon every person hearing the idea will have a specific common point of reference. Successful universal concepts can be based on tropes, […]

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Political Thrillers & Sci-Fi: Track the World

It is a common mistake for political thrillers and sci-fi screenplays to dump too many characters in the openings. This gets very confusing quickly. As a reader, I always feel the strongest choice is to introduce the protagonist alone, so that he/she stands out and is clearly identified in the mind of the reader. Once […]

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The Script Reader’s Top 10 Screenplay “Dos”

The following is a very basic list of items that get my attention as a script reader. If your script addresses each of these points, you’re probably doing a good job. I will be excited to read your script. So, here we go, a list of my top 10 screenplay “dos” when reading: DO keep […]

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The Script Reader’s Top 5 Screenplay “Do Nots”

The following is a very basic list of items that do not impress me as a script reader and, more often than not, will get your script a resounding pass. If your script contains any of these points, consider rewriting before sending out. So, here we go, a list of my top 5 screenplay peeves […]

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Online Screenwriting Communities?

Since I was contacted within the past couple of weeks about two new Internet screenwriting communities launching, I thought I would weigh in. So, what is the deal with online screenwriting communities? The online screenwriting community is sort of like a FaceBook for aspiring screenwriters. It’s an online virtual community where screenwriters can post their […]

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Example of How To Introduce Your Protagonist (Erin Brockovich)

One of my favorite scripts is “Erin Brockovich,” because I love the writing. It is abundantly clear, sparsely written, and dense with meaning. This script captures worlds of information with just a few simple, extremely well chosen words. To my mind, that is excellence in screenwriting. Please read this excerpt of the opening of the […]

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Introduce Your Character to the Reader

Now that we’re heading back into competition season for 2010, I am going to revisit the most important aspects of the screenplay, and in some cases I will try to link to examples of how they’re done correctly. I just read a pile of scripts and only one of the writers bothered to introduce me […]

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**CALL FOR SCREENPLAY ENTRIES** 17th Annual Austin Film Festival

FYI From the Austin Film Festival: AUSTIN FILM FESTIVAL IS ACCEPTING 2010 SCREENPLAY/TELEPLAY ENTRIES! WE ARE NOW ACCEPTING SCREENPLAY SUBMISSIONS ONLINE! {SCREENPLAY COMPETITION} Screenplay Categories: DRAMA (Historical, Western, Drama, Family, Romance, Horror, Thriller, etc.) COMEDY (Dark, Satirical, Slapstick, yadda, yadda, yadda) There are also TWO additional categories to enter. To be considered for either the […]

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