I was having a conversation this morning with another writer friend, and we had a little bit of a laugh (but not in a malicious way) about another writer who fancies himself a director and this is evident in his writing because he, meaning his personality, is everywhere on the page. When you read his […]
Archive | Subject Matter
Be Smart About When You Write What
This is intended as a follow up post to Write What You Love. I went to AFI for film school where, I imagine distinct from USC and UCLA, we didn’t really learn much, if anything, about the entertainment business. I learned a ton about writing and the writing process – but as far as the […]
Write the Movies You Really Want To See
This is intended as a follow up post to Write What You Love. Okay. This might sound ridiculous, but bear with me. Say a magic genie appeared tonight before you fell asleep, Shazam!, and gave you a magic ticket to the best movie ever the following day, what movie would you want to see? If […]
Write What You Love
My friend had a rough writing day the other day. She had a moment of disappointment that she wasn’t writing projects that are more high-concept and commercial. I reminded her that we can only write what we love. That’s the best we can do. Sometimes we just have to write what we love just because […]
If It Doesn’t Buy You Something, Take It Out
The more I write and the more I read, I find I return to this mantra again and again: If it doesn’t buy you something, take it out. Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the […]
Screenplay Openings: Most Beginnings Are Overwritten
This article follows up on Screenplay: The Importance of the First Five Pages. In the last batch of scripts I read for one of the screenwriting competitions, I would say about 30% of the screenplays had beginnings that were overwritten. It’s not uncommon. In several cases, the real story didn’t start to pick up until […]
Subject Matter: Sci-Fi Writers Beware
Science fiction is complicated to write. You have to create a believable world that is rich and full of detail with no breaks in logic in a limited pagecount, hit the genre conventions and then write a smart story on top of that. Also, it can’t be something we’ve seen before – it has to […]
Clarity Above All
There is no shame in being absolutely clear with your beats. In fact, I am that reader who is likely to not get something if it isn’t on the page. You should assume that if it’s not clear on the page, your reader is not going to get it. If you hint at something but […]
Subject Matter: Don’t Write About Writers or Hollywood, Please
Today I’ve read a couple of stories about Hollywood aspirings – aspiring writers, directors, actors, etc. In this reading season I’ve probably read a number of these kinds of scripts. Please, people, no. Don’t do it. Ninety nine times out of one hundred, your life as an aspiring writer isn’t interesting enough to warrant a […]
Screenplay: The Importance of the First Five Pages
The opening five pages of your screenplay give me a ton of information about the breadth and scope of your project. As with the opening of a novel or any other literary work, the opening of your screenplay should be a microcosm of the world of your script. It’s the first taste – but as […]
The Small Character Drama: Life or Death Stakes
I’m not someone who generally loves small indie movies that blow some minor human drama into a hysteria for the ages. I love real stories – stories with action, externalized drama, physical obstacles, where something transformative happens. To me, most small character dramas that I read don’t offer up enough dramatic stakes to warrant a […]