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	<title>Screenwriter-to-Screenwriter.com &#187; Location</title>
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	<link>http://www.screenwriter-to-screenwriter.com</link>
	<description>Screenwriting Tips from One Writer to Another</description>
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		<title>Screenwriters Are Storytellers First</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/10/screenwriters-are-storytellers-first/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/10/screenwriters-are-storytellers-first/#comments</comments>
		<pubDate>Wed, 20 Oct 2010 23:30:52 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Adapting]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Storyteller]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=895</guid>
		<description><![CDATA[<p>A professional screenwriter said to me recently, “If someone reads my script and says, ‘Man, I really loved the writing,’ I want to punch them in the face. What I want them to say is, ‘I really loved your story.’ There’s a big difference.” He explained that the difference is that we’re primarily storytellers – [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/10/screenwriters-are-storytellers-first/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Season of Weird, Chatty Dramedies</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/08/the-season-of-weird-chatty-dramedies/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/08/the-season-of-weird-chatty-dramedies/#comments</comments>
		<pubDate>Tue, 31 Aug 2010 15:13:43 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[dramedy]]></category>
		<category><![CDATA[plot]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=889</guid>
		<description><![CDATA[<p>I can’t say I totally understand it but this year was definitely the reading season for the Weird, Chatty Dramedy. </p>
<p>I’d estimate that approximately 20% of the scripts I read this year involved an ensemble of types sitting around, chatting about various personal issues that were of absolutely no interest to me. </p>
<p>Many of these [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/08/the-season-of-weird-chatty-dramedies/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Don’t Forget Film is a Visual Medium</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/07/don%e2%80%99t-forget-film-is-a-visual-medium/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/07/don%e2%80%99t-forget-film-is-a-visual-medium/#comments</comments>
		<pubDate>Sat, 03 Jul 2010 06:51:30 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=880</guid>
		<description><![CDATA[<p>The visual medium is the essence of &#8220;show, don&#8217;t tell.&#8221; A lot of scripts I&#8217;m seeing this year seem to have disregarded the fact that these stories should be a blueprint for something visual.  </p>
<p>This reading season has been the season of the chatty dramedy. By dramedy, I mean stories that at their essence [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/07/don%e2%80%99t-forget-film-is-a-visual-medium/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biopic: A Character’s Journey</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/biopic-character-journey/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/biopic-character-journey/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 22:19:25 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[biopic]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=857</guid>
		<description><![CDATA[<p>I’ve been reading a number of biopics based on very famous historical personages. They are flat and dry, like cardboard. The feeling I have reading them is that they take a marionette of a historical figure and dance them through the major events of their life. I start off with little or no understanding of [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/biopic-character-journey/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Descriptors: Be Precise</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/descriptors-be-precise/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/descriptors-be-precise/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 15:13:59 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=821</guid>
		<description><![CDATA[<p>Don’t forget when you’re writing to use precise descriptors that evoke something very clear in the mind of the reader. Even in screenwriting, the quality of prose to some degree either engages or repels the reader and thus the experience of your screenplay. </p>
<p>Try to avoid descriptors that are ambiguous, contradictory or confusing, because the [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/descriptors-be-precise/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Writing and Rights</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/writing-and-rights/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/writing-and-rights/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 15:13:13 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=787</guid>
		<description><![CDATA[<p>I know there can be some confusion about adapting work for the screen and owning the rights.</p>
<p>If you are absolutely in love with a novel, cartoon, graphic novel (or ANY work that is not your own) and feel that it is your life’s destiny to adapt this work for the screen, then GET THE RIGHTS [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/writing-and-rights/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Political Thrillers &amp; Sci-Fi: Track the World</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/political-thrillers-sci-fi-track-the-world/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/political-thrillers-sci-fi-track-the-world/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 19:45:26 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=779</guid>
		<description><![CDATA[<p>It is a common mistake for political thrillers and sci-fi screenplays to dump too many characters in the openings. This gets very confusing quickly. </p>
<p>As a reader, I always feel the strongest choice is to introduce the protagonist alone, so that he/she stands out and is clearly identified in the mind of the reader. </p>
<p>Once [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/political-thrillers-sci-fi-track-the-world/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Script Reader&#8217;s Top 10 Screenplay “Dos”</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/#comments</comments>
		<pubDate>Sat, 27 Feb 2010 15:13:21 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Books on Screenwriting]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Screenwriting Resources]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[hollywood reader]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[script reader]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=759</guid>
		<description><![CDATA[<p>The following is a very basic list of items that get my attention as a script reader. If your script addresses each of these points, you’re probably doing a good job. I will be excited to read your script.</p>
<p>So, here we go, a list of my top 10 screenplay &#8220;dos&#8221; when reading:</p>
<p>DO keep your page [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Script Reader&#8217;s Top 5 Screenplay “Do Nots”</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 15:13:36 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Books on Screenwriting]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Screenwriting Resources]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[hollywood reader]]></category>
		<category><![CDATA[script doctor]]></category>
		<category><![CDATA[script reader]]></category>
		<category><![CDATA[story analyst]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=754</guid>
		<description><![CDATA[<p>The following is a very basic list of items that do not impress me as a script reader and, more often than not, will get your script a resounding pass. If your script contains any of these points, consider rewriting before sending out.</p>
<p>So, here we go, a list of my top 5 screenplay peeves when [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>Example of How To Introduce Your Protagonist (Hurt Locker)</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/example-of-how-to-introduce-your-protagonist-hurt-locker/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/example-of-how-to-introduce-your-protagonist-hurt-locker/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 15:17:10 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Character]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=747</guid>
		<description><![CDATA[<p>Let&#8217;s look at another great example of how to open a script &#8211; both in terms of character and also in terms of location, setting the world. I loved the opening of this script and actually loved the film as well because it paints an immediate, thrilling, chilling, palpable world for us. </p>
<p>In this script, [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/example-of-how-to-introduce-your-protagonist-hurt-locker/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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