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	<title>Screenwriter-to-Screenwriter.com &#187; Genre</title>
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	<link>http://www.screenwriter-to-screenwriter.com</link>
	<description>Screenwriting Tips from One Writer to Another</description>
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		<title>Okay, Fine… But What’s Your Story About, Really?</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/12/okay-fine%e2%80%a6-but-what%e2%80%99s-your-story-about-really/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/12/okay-fine%e2%80%a6-but-what%e2%80%99s-your-story-about-really/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 15:13:17 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=903</guid>
		<description><![CDATA[<p>Anyone who knows me well can probably tell you that sometimes I can be wholly oblivious to the most obvious points but pick up on subtleties the average person wouldn’t even think to look for. This is an interesting character juxtaposition and probably what makes me a writer before anything else. Documenting and chronicling the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Be Your Own Audience</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/10/be-your-own-audience/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/10/be-your-own-audience/#comments</comments>
		<pubDate>Thu, 21 Oct 2010 15:13:11 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[screenwriting]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=899</guid>
		<description><![CDATA[<p>When I’m writing and rewriting something – a script, story, manuscript – it’s hard to see the forest for the trees. Much of the time I get so inside my story that it’s hard for me to step outside of it and think rationally if what I’m trying to construct is working or not, and [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Screenwriters Are Storytellers First</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/10/screenwriters-are-storytellers-first/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/10/screenwriters-are-storytellers-first/#comments</comments>
		<pubDate>Wed, 20 Oct 2010 23:30:52 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Adapting]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
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		<category><![CDATA[Theme]]></category>
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		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Storyteller]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=895</guid>
		<description><![CDATA[<p>A professional screenwriter said to me recently, “If someone reads my script and says, ‘Man, I really loved the writing,’ I want to punch them in the face. What I want them to say is, ‘I really loved your story.’ There’s a big difference.” He explained that the difference is that we’re primarily storytellers – [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Season of Weird, Chatty Dramedies</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/08/the-season-of-weird-chatty-dramedies/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/08/the-season-of-weird-chatty-dramedies/#comments</comments>
		<pubDate>Tue, 31 Aug 2010 15:13:43 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[dramedy]]></category>
		<category><![CDATA[plot]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=889</guid>
		<description><![CDATA[<p>I can’t say I totally understand it but this year was definitely the reading season for the Weird, Chatty Dramedy. </p>
<p>I’d estimate that approximately 20% of the scripts I read this year involved an ensemble of types sitting around, chatting about various personal issues that were of absolutely no interest to me. </p>
<p>Many of these [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Women&#8217;s Romantic Fiction in Film</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/05/womens-romantic-fiction-in-film/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/05/womens-romantic-fiction-in-film/#comments</comments>
		<pubDate>Thu, 27 May 2010 15:13:52 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Adapting]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[romance novels]]></category>
		<category><![CDATA[women's romantic fiction]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=875</guid>
		<description><![CDATA[<p>I am not a huge consumer of women&#8217;s romantic fiction because I like a good story &#8211; and so I can&#8217;t speak intimately to the ins and outs of the genre. It would appear superficially that this genre is formulaic in the extreme so that the story is something secondary (contrived) and the primary focus [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biopic: A Character’s Journey</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/biopic-character-journey/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/biopic-character-journey/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 22:19:25 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[biopic]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=857</guid>
		<description><![CDATA[<p>I’ve been reading a number of biopics based on very famous historical personages. They are flat and dry, like cardboard. The feeling I have reading them is that they take a marionette of a historical figure and dance them through the major events of their life. I start off with little or no understanding of [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/biopic-character-journey/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Writing and Rights</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/writing-and-rights/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/writing-and-rights/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 15:13:13 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=787</guid>
		<description><![CDATA[<p>I know there can be some confusion about adapting work for the screen and owning the rights.</p>
<p>If you are absolutely in love with a novel, cartoon, graphic novel (or ANY work that is not your own) and feel that it is your life’s destiny to adapt this work for the screen, then GET THE RIGHTS [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/writing-and-rights/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>What is “High Concept”?</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/what-is-%e2%80%9chigh-concept%e2%80%9d/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/what-is-%e2%80%9chigh-concept%e2%80%9d/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 15:13:53 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=783</guid>
		<description><![CDATA[<p>“High concept” is an expression within the entertainment industry that basically boils down to meaning ‘highly commercial.’ </p>
<p>But what does it really mean? “High concept” indicates a few things:</p>
<p>1. A universal concept, whereupon every person hearing the idea will have a specific common point of reference. Successful universal concepts can be based on tropes, urban [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/what-is-%e2%80%9chigh-concept%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Political Thrillers &amp; Sci-Fi: Track the World</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/political-thrillers-sci-fi-track-the-world/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/political-thrillers-sci-fi-track-the-world/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 19:45:26 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=779</guid>
		<description><![CDATA[<p>It is a common mistake for political thrillers and sci-fi screenplays to dump too many characters in the openings. This gets very confusing quickly. </p>
<p>As a reader, I always feel the strongest choice is to introduce the protagonist alone, so that he/she stands out and is clearly identified in the mind of the reader. </p>
<p>Once [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/political-thrillers-sci-fi-track-the-world/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Title Your Script</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/how-to-title-your-script/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/how-to-title-your-script/#comments</comments>
		<pubDate>Sun, 28 Feb 2010 15:13:12 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
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		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=772</guid>
		<description><![CDATA[<p>Coming up with an amazing title is important. Why? </p>
<p>As a script reader, if I smile when I read your title, that’s a huge bonus – because it means I will be excited to read your script. Conversely, if the title evokes nothing, that’s bad. I don’t know what that script is about and I’ll [...]]]></description>
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		<slash:comments>20</slash:comments>
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