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	<title>Screenwriter-to-Screenwriter.com &#187; Formatting</title>
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	<link>http://www.screenwriter-to-screenwriter.com</link>
	<description>Screenwriting Tips from One Writer to Another</description>
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		<title>Descriptors: Be Precise</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/03/descriptors-be-precise/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/03/descriptors-be-precise/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 15:13:59 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=821</guid>
		<description><![CDATA[<p>Don’t forget when you’re writing to use precise descriptors that evoke something very clear in the mind of the reader. Even in screenwriting, the quality of prose to some degree either engages or repels the reader and thus the experience of your screenplay. </p>
<p>Try to avoid descriptors that are ambiguous, contradictory or confusing, because the [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/03/descriptors-be-precise/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Script Reader&#8217;s Top 10 Screenplay “Dos”</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/#comments</comments>
		<pubDate>Sat, 27 Feb 2010 15:13:21 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Books on Screenwriting]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Screenwriting Resources]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[hollywood reader]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[script reader]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=759</guid>
		<description><![CDATA[<p>The following is a very basic list of items that get my attention as a script reader. If your script addresses each of these points, you’re probably doing a good job. I will be excited to read your script.</p>
<p>So, here we go, a list of my top 10 screenplay &#8220;dos&#8221; when reading:</p>
<p>DO keep your page [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Script Reader&#8217;s Top 5 Screenplay “Do Nots”</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 15:13:36 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Books on Screenwriting]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Screenwriting Resources]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[hollywood reader]]></category>
		<category><![CDATA[script doctor]]></category>
		<category><![CDATA[script reader]]></category>
		<category><![CDATA[story analyst]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=754</guid>
		<description><![CDATA[<p>The following is a very basic list of items that do not impress me as a script reader and, more often than not, will get your script a resounding pass. If your script contains any of these points, consider rewriting before sending out.</p>
<p>So, here we go, a list of my top 5 screenplay peeves when [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>Example of How To Introduce Your Protagonist (Erin Brockovich)</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/example-of-how-to-introduce-your-protagonist/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/example-of-how-to-introduce-your-protagonist/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 15:13:23 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Screenwriting Resources]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[erin brockovich]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=728</guid>
		<description><![CDATA[<p>One of my favorite scripts is &#8220;Erin Brockovich,&#8221; because I love the writing. It is abundantly clear, sparsely written, and dense with meaning. This script captures worlds of information with just a few simple, extremely well chosen words. To my mind, that is excellence in screenwriting.  </p>
<p>Please read this excerpt of the opening of [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/example-of-how-to-introduce-your-protagonist/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How Many Scenes in a Screenplay?</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/how-many-scenes-in-a-screenplay/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/how-many-scenes-in-a-screenplay/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 15:13:37 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=606</guid>
		<description><![CDATA[<p>The basic number of scenes within a script will vary with genre. Keep in mind that each page of script represents approximately one minute of screen time, with the average scene not to exceed three pages. Keep in mind that most scripts submitted, also genre dependent, come in between 100-110 pages. </p>
<p>The more talky the [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/how-many-scenes-in-a-screenplay/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>To All The Haters</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/to-all-the-haters/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/to-all-the-haters/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 15:13:54 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=582</guid>
		<description><![CDATA[<p>Recently I got a comment on the blog that I decided not to post because it was clearly from a Hater. &#8220;Hater&#8221; is the term I use to describe angry, reactive people who are foul and negative only to assert their hostile position – however, in most cases, their position isn’t fueled by logic but [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/to-all-the-haters/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Writing Down the Page</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/09/writing-down-the-page/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/09/writing-down-the-page/#comments</comments>
		<pubDate>Fri, 04 Sep 2009 05:40:52 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=371</guid>
		<description><![CDATA[<p>“Writing down the page” is an expression that basically means the thrust of the story moves down the page with action, description, dialogue and carefully chosen sparse elements, so the reader’s eye is continually pulled down the page and then to the next page. You should aim not to get the reader&#8217;s eye stuck in [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/09/writing-down-the-page/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Screenplay Openings: Most Beginnings Are Overwritten</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-openingsmost-beginnings-are-overwritten/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-openingsmost-beginnings-are-overwritten/#comments</comments>
		<pubDate>Tue, 28 Jul 2009 15:13:59 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[how to write character]]></category>
		<category><![CDATA[inciting incident]]></category>
		<category><![CDATA[opening your script]]></category>
		<category><![CDATA[outlining]]></category>
		<category><![CDATA[screenplay genre]]></category>
		<category><![CDATA[screenplay openings]]></category>
		<category><![CDATA[screenplay outline]]></category>
		<category><![CDATA[screenplay structure]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[screenwriting beats]]></category>
		<category><![CDATA[screenwriting genre]]></category>
		<category><![CDATA[screenwriting notes]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[script comments]]></category>
		<category><![CDATA[script notes]]></category>
		<category><![CDATA[script reader]]></category>
		<category><![CDATA[writing process]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=276</guid>
		<description><![CDATA[<p>This article follows up on Screenplay: The Importance of the First Five Pages. </p>
<p>In the last batch of scripts I read for one of the screenwriting competitions, I would say about 30% of the screenplays had beginnings that were overwritten. It’s not uncommon. In several cases, the real story didn’t start to pick up until [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-openingsmost-beginnings-are-overwritten/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Q&amp;A: Simple Present vs. Present Progressive (“-ing”) Verb Tense</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/07/qa-simple-present-vs-present-progressive%e2%80%9c-ing%e2%80%9d-verb-tense/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/07/qa-simple-present-vs-present-progressive%e2%80%9c-ing%e2%80%9d-verb-tense/#comments</comments>
		<pubDate>Fri, 24 Jul 2009 07:31:03 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[opening your script]]></category>
		<category><![CDATA[pacing]]></category>
		<category><![CDATA[screenplay format]]></category>
		<category><![CDATA[screenplay genre]]></category>
		<category><![CDATA[screenplay structure]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[screenwriting genre]]></category>
		<category><![CDATA[script notes]]></category>
		<category><![CDATA[script reader]]></category>
		<category><![CDATA[writing process]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=291</guid>
		<description><![CDATA[<p>Michael asks:
Is it ever okay to use the &#8220;ing&#8221; present tense to describe action? &#8220;The Complete Screenwriters Manual&#8221; says no, but I don&#8217;t buy it.</p>
<p>Monica says:
Thanks, Michael. Great question. </p>
<p>Here’s the deal with what I refer to as active verbs vs. passive verbs and screenwriting. The standard for screenwriting is to use the most evocative [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/07/qa-simple-present-vs-present-progressive%e2%80%9c-ing%e2%80%9d-verb-tense/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Clarity Above All</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/07/clarity-above-all/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/07/clarity-above-all/#comments</comments>
		<pubDate>Thu, 23 Jul 2009 15:13:19 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[how to beat out a script]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=251</guid>
		<description><![CDATA[<p>There is no shame in being absolutely clear with your beats. In fact, I am that reader who is likely to not get something if it isn’t on the page. You should assume that if it’s not clear on the page, your reader is not going to get it. If you hint at something but [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/07/clarity-above-all/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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