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	<title>Screenwriter-to-Screenwriter.com &#187; Beat Sheet</title>
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	<link>http://www.screenwriter-to-screenwriter.com</link>
	<description>Screenwriting Tips from One Writer to Another</description>
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		<title>Beat Sheets</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/08/beat-sheets/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/08/beat-sheets/#comments</comments>
		<pubDate>Mon, 16 Aug 2010 20:16:23 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=883</guid>
		<description><![CDATA[<p>I&#8217;m going to start working on posting some beat sheets to the blog &#8211; requests, anyone?</p>
<p>I&#8217;ll try to do one film in each genre grouping to start. </p>
<p>And if any reader has some beat sheets they&#8217;d like to share, please send them on over!</p>
<p>Thanks!</p>
]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/08/beat-sheets/feed/</wfw:commentRss>
		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>The Script Reader&#8217;s Top 10 Screenplay “Dos”</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/#comments</comments>
		<pubDate>Sat, 27 Feb 2010 15:13:21 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Books on Screenwriting]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Screenwriting Resources]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[hollywood reader]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[script reader]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=759</guid>
		<description><![CDATA[<p>The following is a very basic list of items that get my attention as a script reader. If your script addresses each of these points, you’re probably doing a good job. I will be excited to read your script.</p>
<p>So, here we go, a list of my top 10 screenplay &#8220;dos&#8221; when reading:</p>
<p>DO keep your page [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-10-screenplay-%e2%80%9cdos%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Script Reader&#8217;s Top 5 Screenplay “Do Nots”</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/#comments</comments>
		<pubDate>Fri, 26 Feb 2010 15:13:36 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Audience]]></category>
		<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Books on Screenwriting]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Screenwriting Resources]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[hollywood reader]]></category>
		<category><![CDATA[script doctor]]></category>
		<category><![CDATA[script reader]]></category>
		<category><![CDATA[story analyst]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=754</guid>
		<description><![CDATA[<p>The following is a very basic list of items that do not impress me as a script reader and, more often than not, will get your script a resounding pass. If your script contains any of these points, consider rewriting before sending out.</p>
<p>So, here we go, a list of my top 5 screenplay peeves when [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/the-readers-top-5-screenplay-%e2%80%9cdo-nots%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>How Many Scenes in a Screenplay?</title>
		<link>http://www.screenwriter-to-screenwriter.com/2010/02/how-many-scenes-in-a-screenplay/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2010/02/how-many-scenes-in-a-screenplay/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 15:13:37 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=606</guid>
		<description><![CDATA[<p>The basic number of scenes within a script will vary with genre. Keep in mind that each page of script represents approximately one minute of screen time, with the average scene not to exceed three pages. Keep in mind that most scripts submitted, also genre dependent, come in between 100-110 pages. </p>
<p>The more talky the [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2010/02/how-many-scenes-in-a-screenplay/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Different Stories Call for Different Techniques</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/09/different-stories-callfor-different-techniques/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/09/different-stories-callfor-different-techniques/#comments</comments>
		<pubDate>Sat, 26 Sep 2009 15:13:57 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=392</guid>
		<description><![CDATA[<p>My standard technique for approaching story has been pretty static since I studied in private workshop with Syd Field years ago, although was honed at AFI: start with the six beats, write a synopsis, card out my story, create the beat sheet, and then write the script based on my beat sheet. </p>
<p>Now that I’ve [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/09/different-stories-callfor-different-techniques/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>If It Doesn’t Buy You Something, Take It Out</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/07/if-it-doesn%e2%80%99t-buy-you-something-take-it-out/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/07/if-it-doesn%e2%80%99t-buy-you-something-take-it-out/#comments</comments>
		<pubDate>Wed, 29 Jul 2009 15:13:28 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[breaking story]]></category>
		<category><![CDATA[film genre]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[how to write character]]></category>
		<category><![CDATA[how to write genre]]></category>
		<category><![CDATA[opening your script]]></category>
		<category><![CDATA[screenplay genre]]></category>
		<category><![CDATA[screenplay outline]]></category>
		<category><![CDATA[screenplay structure]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[writing process]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=282</guid>
		<description><![CDATA[<p>The more I write and the more I read, I find I return to this mantra again and again: If it doesn’t buy you something, take it out. </p>
<p>Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/07/if-it-doesn%e2%80%99t-buy-you-something-take-it-out/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Screenplay Openings: Most Beginnings Are Overwritten</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-openingsmost-beginnings-are-overwritten/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-openingsmost-beginnings-are-overwritten/#comments</comments>
		<pubDate>Tue, 28 Jul 2009 15:13:59 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[how to write character]]></category>
		<category><![CDATA[inciting incident]]></category>
		<category><![CDATA[opening your script]]></category>
		<category><![CDATA[outlining]]></category>
		<category><![CDATA[screenplay genre]]></category>
		<category><![CDATA[screenplay openings]]></category>
		<category><![CDATA[screenplay outline]]></category>
		<category><![CDATA[screenplay structure]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[screenwriting beats]]></category>
		<category><![CDATA[screenwriting genre]]></category>
		<category><![CDATA[screenwriting notes]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[script comments]]></category>
		<category><![CDATA[script notes]]></category>
		<category><![CDATA[script reader]]></category>
		<category><![CDATA[writing process]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=276</guid>
		<description><![CDATA[<p>This article follows up on Screenplay: The Importance of the First Five Pages. </p>
<p>In the last batch of scripts I read for one of the screenwriting competitions, I would say about 30% of the screenplays had beginnings that were overwritten. It’s not uncommon. In several cases, the real story didn’t start to pick up until [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-openingsmost-beginnings-are-overwritten/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Clarity Above All</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/07/clarity-above-all/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/07/clarity-above-all/#comments</comments>
		<pubDate>Thu, 23 Jul 2009 15:13:19 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[how to beat out a script]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=251</guid>
		<description><![CDATA[<p>There is no shame in being absolutely clear with your beats. In fact, I am that reader who is likely to not get something if it isn’t on the page. You should assume that if it’s not clear on the page, your reader is not going to get it. If you hint at something but [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/07/clarity-above-all/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Screenplay: The Importance of the First Five Pages</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-the-importanceof-the-first-five-pages/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-the-importanceof-the-first-five-pages/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 15:13:11 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Location]]></category>
		<category><![CDATA[Logical World]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Subject Matter]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Tone]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[breaking story]]></category>
		<category><![CDATA[film genre]]></category>
		<category><![CDATA[first five pages]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[how to write character]]></category>
		<category><![CDATA[how to write genre]]></category>
		<category><![CDATA[how to write location]]></category>
		<category><![CDATA[inciting incident]]></category>
		<category><![CDATA[opening your script]]></category>
		<category><![CDATA[screenplay genre]]></category>
		<category><![CDATA[screenplay openings]]></category>
		<category><![CDATA[screenplay outline]]></category>
		<category><![CDATA[screenplay structure]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[screenwriting beats]]></category>
		<category><![CDATA[screenwriting genre]]></category>
		<category><![CDATA[script comments]]></category>
		<category><![CDATA[script notes]]></category>
		<category><![CDATA[script reader]]></category>
		<category><![CDATA[story notes]]></category>
		<category><![CDATA[writing process]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=222</guid>
		<description><![CDATA[<p>The opening five pages of your screenplay give me a ton of information about the breadth and scope of your project. As with the opening of a novel or any other literary work, the opening of your screenplay should be a microcosm of the world of your script. It’s the first taste – but as [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/07/screenplay-the-importanceof-the-first-five-pages/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>What Happened to the Inciting Incident?</title>
		<link>http://www.screenwriter-to-screenwriter.com/2009/07/what-happened-to-the-inciting-incident/</link>
		<comments>http://www.screenwriter-to-screenwriter.com/2009/07/what-happened-to-the-inciting-incident/#comments</comments>
		<pubDate>Sun, 19 Jul 2009 15:13:31 +0000</pubDate>
		<dc:creator>Monica</dc:creator>
				<category><![CDATA[Beat Sheet]]></category>
		<category><![CDATA[Formatting]]></category>
		<category><![CDATA[Genre]]></category>
		<category><![CDATA[Process]]></category>
		<category><![CDATA[Story]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[how to write genre]]></category>
		<category><![CDATA[inciting incident]]></category>
		<category><![CDATA[outlining]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenplay outline]]></category>
		<category><![CDATA[screenplay structure]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[screenwriting beats]]></category>
		<category><![CDATA[Screenwriting Competitions]]></category>
		<category><![CDATA[screenwriting notes]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[script comments]]></category>
		<category><![CDATA[script notes]]></category>
		<category><![CDATA[script reader]]></category>
		<category><![CDATA[story notes]]></category>
		<category><![CDATA[writing process]]></category>

		<guid isPermaLink="false">http://www.screenwriter-to-screenwriter.com/?p=241</guid>
		<description><![CDATA[<p>You’d be surprised – I have been – but a very high number of scripts I’m reading don’t have inciting incidents. I am getting to page 15, page 20, page 30, and there’s really no defined story. I would say that this is in about 25% of the scripts I’m reading. Obviously, these scripts are [...]]]></description>
		<wfw:commentRss>http://www.screenwriter-to-screenwriter.com/2009/07/what-happened-to-the-inciting-incident/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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