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If It Doesn’t Buy You Something, Take It Out

The more I write and the more I read, I find I return to this mantra again and again: If it doesn’t buy you something, take it out.

Screenplay beats to me are a commodity. You have to buy the beats in the beginning of your story to cash them in later on in the [...]

Screenplay Openings:
Most Beginnings are Overwritten

This article follows up on Screenplay: The Importance of the First Five Pages.

In the last batch of scripts I read for one of the screenwriting competitions, I would say about 30% of the screenplays had beginnings that were overwritten. It’s not uncommon. In several cases, the real story didn’t start to pick up until [...]

Q&A: Simple Present vs. Present Progressive
(“-ing”) Verb Tense

Michael asks:
Is it ever okay to use the “ing” present tense to describe action? “The Complete Screenwriters Manual” says no, but I don’t buy it.

Monica says:
Thanks, Michael. Great question.

Here’s the deal with what I refer to as active verbs vs. passive verbs and screenwriting. The standard for screenwriting is to use the most evocative [...]

Screenplay: The Importance
of the First Five Pages

The opening five pages of your screenplay give me a ton of information about the breadth and scope of your project. As with the opening of a novel or any other literary work, the opening of your screenplay should be a microcosm of the world of your script. It’s the first taste – but as [...]